Print Ad Analysis 9 examples.pptx
Hello all, above is the link to the 9 adverts that we looked at in class.
I really enjoyed the range of them, and I included my own one, on my favourite ad campaign, Absolut Vodka.
This was the list of the choices:
Julia - Dove
Richard - Mrs Hinch's Autumn cleaning goodies
Mia - L'Oreal
Aaron - KFC / FCK!
Ines - Pepsi
Lucy - McDonald's
Robyn - WWF
Sophie - Rhode / Krispy Kreme
Mark - Abdolut
Very well done, and a great range of images.
Turning AI theory into practice
This is worth a wee look when you have a moment.
The article, in part, discusses how AI can be used strategically.
All the best,
Mark
Few household products are as familiar – or as deeply embedded in British homes – as bleach. But this summer, Domestos is making the case for why bleach deserves a billboard.
As a global FMCG marketer created in 1929, Unilever is well-placed to demonstrate how to bring new energy and relevance to a heritage brand. In a masterclass of stand-out marketing for legacy brands - and in a category not noted for creativity – Domestos is striding out across London in a new outdoor ad campaign that plugs directly into iconography and cultural resonance.
Elevating brand above function, the creatively distinctive work marks a strategic move: it asserts Domestos’ role as creator and leader in the bleach category; the work is also a “cultural conversation-starter”, designed to build cultural resonance and connection.
To that end, the campaign looks to draw visual links between iconic British symbols – such as Shakespeare, Tower Bridge and a variety of music legends – to assert its place alongside them in the national imagination. The bottle and the bold colours are all highly resonant, making Domestos a relevant inclusion in this ode to the icons.
The campaign builds on the idea that longevity in itself can convey relevance. It highlights Domestos not just as the first thick bleach on the market – invented in a Newcastle garden shed by William Handley – but as a benchmark that copycats and challengers have never bettered. The core promise of reliability remains central, but the mode of communication now shifts from instructional to expressive.
Developed by the agency CTT (Create Think Tank), the campaign supports the line “Nothing beats the original”, with each OOH site chosen for its relevance and carrying a witty line, appropriate to the cultural icon it links to. There are five creative executions across key locations such as Baker Street, Embankment and London Bridge stations, plus an iconic red London bus, now fully wrapped in blue, and a Domestos-branded ad van. Plans are to roll the campaign out internationally next year, with local markets adapting it to feature their own national icons.
While rooted in nostalgic cues, the campaign features British icons made relevant to younger audiences through recent TV shows, biopics or even social-media trends; all visual references and locations have broad appeal and aim to prompt reappraisal from younger consumers.
“Every element, from the unexpected visual pairings to the sharp, culturally resonant copy, has been crafted to disrupt, entertain, and, ultimately, reframe how people see the product,” says Domestos global brand director Alice Francoual. “It’s about creating emotional impact, sparking conversation, and building lasting brand love through standout creativity.”
The work highlights how established, everyday FMCG brands can remain visible in culture without abandoning their core offer.
This is a deliberate shift. While Domestos has long focused on hygiene efficacy and functional messaging – most famously, killing “all known germs dead” – the new campaign aims to prompt recognition of what it has come to represent over time.
“Domestos has truly stood the test of time, building extraordinary brand love and trust across generations with its unstoppable germ-killing power,” adds Rohit Pathak, Unilever’s global vice-president, home and hygiene. “Our new campaign celebrates nearly a century of category leadership and showcases our momentum as we continue to expand market share and drive category growth.”
Domestos is marking a heritage milestone in a way that celebrates its legacy as a timeless classic. While reflecting on its long history, the brand is also looking ahead – bringing fresh, premium innovations to the category and standing out with a social-first strategy. This approach helps position Domestos alongside other well-known British fixtures with deep cultural roots. As such, it is a demonstration from one of the world’s biggest consumer goods companies of how distinctive, culturally-led storytelling can elevate even the most utilitarian products.
From its 1929 origin story, Domestos has grown into a global brand, acquired by Unilever in 1961, repackaged in its distinctive blue bottle in 1963, and now sold in 55 countries. It has championed the implementation of brand purpose into action and, by 2024, with the support of strategic partners, helped 59 million people gain access to safe toilets.
This summer, its story is moving on. Unilever is showing how a brand built on routine and repetition can still find fresh ways to speak; not just by shouting louder but by shifting the frame entirely.
Domestos is not trying to reinvent the category. Instead, it asks what it means to have created it – and what that legacy can look like almost a century later.
This is a series of short videos from industry experts, and they discuss the 3 ads they love but had nothing to do with!
They are worth a watch over a coffee at home and there are loads more you can click on down the right hand side.
Here is the link: Thinkbox Main Hub
All the best,
Mark
This print advert is clever, and has multiple layers to it, not unlike an ice cream!
What do you think of this ad - is it effective? How do you know?
Who is this advert aimed at?
What can you say about the construction of the ad?
What could you say about the brand Haagen-Dazs? Who are their competitors?
I look forward to your thoughts in the comments section, and we will revisit them in one of the Advertising classes.
Hello, everybody, and welcome to our class blog.
I thought this would be a good way to start the blog off by asking that question - what is advertising? I will answer this question in the very early stages of my teaching, and each week we will look at various adverts and break them down in a systematic way to help the analytical process.
So, what do you think Advertising is? Please have a go in the comments section below, and don't be afraid to jot something down. Learning should be open to question and discussion, after all.
All the best,
Mark
